Jane Eaglen
Jane Eaglen (born 4 April 1960) is an English dramatic soprano particularly known for her interpretations of the works of Richard Wagner and the title roles in Bellini's Norma and Puccini's Turandot. Her career at the Metropolitan Opera started with her Brunhilde in the Ring Cycle. Eaglen has performed at all major houses globally such as La Scala, the Metropolitan Opera House and many others. She currently resides in Boston, MA as a voice teacher at the New England Conservatory. She is the President and founder of the Boston Wagner Society. Eaglen spends her summers instructing at the Merola opera training program for emerging artists. Every year she judges several voice competitions, including the Laffont-Metropolitan Opera National Council Auditions.
Norma
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Norma: Sinfonia (Orchestra) - Norma -
Jane Eaglen
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Norma: Atto I, scena 2. “Perfido!…Or basti” (Norma/Adalgisa/Pollione) - Norma -
Jane Eaglen
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Norma: Atto I, scena 1. Introduction (Orchestra) … “Ite sul colle” (Oroveso/Coro) - Norma -
Jane Eaglen
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Norma: Atto I, scena 2. “Vanne, sì: mi lascia, indegno” (Norma/Adalgisa/Pollione/Coro) - Norma -
Jane Eaglen
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Norma: Atto I, scena 1. “Svanir le voci!” (Pollione/Flavio) - Norma -
Jane Eaglen
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Norma: Atto II, scena 1. Introduzione (Orchestra) - Norma -
Jane Eaglen
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Norma: Atto I, scena 1. “Meco all’altar di Venere” (Pollione) - Norma -
Jane Eaglen
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Norma: Atto II, scena 1. “Dormono entrambi” (Norma) - Norma -
Jane Eaglen
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Norma: Atto I, scena 1. “Odi?… I suoi riti a compiere” (Flavio/Coro/Pollione) - Norma -
Jane Eaglen
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Norma: Atto II, scena 1. “Olà! Clotilde!” (Norma/Clotilde) - Norma -
Jane Eaglen
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Norma: Atto I, scena 1. “Me protegge, me difende un poter maggior di loro” (Pollione) - Norma -
Jane Eaglen
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Norma: Atto II, scena 1. “Me chiami, o Norma!” (Adalgisa/Norma) - Norma -
Jane Eaglen
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Norma: Atto I, scena 1. “Norma viene” (Coro) - Norma -
Jane Eaglen
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Norma: Atto II, scena 1. “Deh! con te li prendi” (Norma/Adalgisa) - Norma -
Jane Eaglen
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Norma: Atto I, scena 1. “Sediziose voci” (Norma/Oroveso/Coro) - Norma -
Jane Eaglen
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Norma: Atto II, scena 1. “Mira, o Norma” (Norma/Adalgisa) - Norma -
Jane Eaglen
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Norma: Atto I, scena 1. “Casta diva” (Norma/Coro) - Norma -
Jane Eaglen
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Norma: Atto II, scena 1. “Cedi! … deh! cedi!” (Adalgisa/Norma) - Norma -
Jane Eaglen
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Norma: Atto I, scena 1. “Fine al rito e il sacro bosco” (Norma/Oroveso/Coro) - Norma -
Jane Eaglen
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Norma: Atto II, scena 1. “Si, fino all’ore estreme” (Norma/Adalgisa) - Norma -
Jane Eaglen
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Norma: Atto I, scena 1. “Ah! bello a me ritorna” (Norma/Oroveso/Coro) - Norma -
Jane Eaglen
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Norma: Atto II, scena 2. “Non parti? … Finora è la campo” (Coro) - Norma -
Jane Eaglen
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Norma: Atto I, scena 1. “Sgombra è la sacra selva” … “Deh! proteggimi, o Dio!” (Adalgisa) - Norma -
Jane Eaglen
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Norma: Atto II, scena 2. “Guerrieri! a voi venire” (Oroveso/Coro) - Norma -
Jane Eaglen
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Norma: Atto I, scena 1. “Eccola! Va, mi lascia ragion non odo” (Pollione/Adalgisa) - Norma -
Jane Eaglen
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Norma: Atto II, scena 2. “Ah! del Tebro al giogo indegno” (Oroveso/Chorus) - Norma -
Jane Eaglen
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Norma: Atto I, scena 1. “Va, crudele, al Dio spietato” (Pollione/Adalgisa) - Norma -
Jane Eaglen
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Norma: Atto II, scena 3. “Ei tornerà. Sì, mia fidenza è posta” (Norma/Clotilde) - Norma -
Jane Eaglen
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Norma: Atto I, scena 1. “Vieni in Roma” (Pollione/Adalgisa) - Norma -
Jane Eaglen
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Norma: Atto II, scena 3. “Sguilla il bronzo del Dio!” (Coro/Oroveso/Norma) - Norma -
Jane Eaglen
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Norma: Atto I, scena 2. “Vanne, e li cela entrambi” (Norma/Clotilde) - Norma -
Jane Eaglen
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Norma: Atto II, scena 3. “Guerra, guerra! La galliche selve” (Coro) - Norma -
Jane Eaglen
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Norma: Atto I, scena 2. “Adalgisa!…Alma costanza” (Norma/Adalgisa) - Norma -
Jane Eaglen
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Norma: Atto II, scena 3. “Né compi il rito, o Norma?” (Oroveso/Norma/Clotilde/Coro/Pollione) - Norma -
Jane Eaglen
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Norma: Atto I, scena 2. “Oh! rimembranza!” (Norma/Adalgisa) - Norma -
Jane Eaglen
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Norma: Atto II, scena 3. “In mia man alfin tu sei” (Norma/Pollione) - Norma -
Jane Eaglen
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Norma: Atto I, scena 2. “Ah! si! fa core e abbracciami” (Norma/Adalgisa) - Norma -
Jane Eaglen
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Norma: Atto II, scena 3. “Già mi pasco ne’ tuoi sguardi” (Norma/Pollione) - Norma -
Jane Eaglen
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Norma: Atto I, scena 2. “Ma di’…l’amato giovane?” (Norma/Adalgisa/Pollione) - Norma -
Jane Eaglen
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Norma: Atto II, scena 3. “Dammi quel ferro” (Coro/Norma/Pollione/Oroveso) - Norma -
Jane Eaglen
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Norma: Atto I, scena 2. “Oh! di qual sei tu vittima” (Norma/Adalgisa/Pollione) - Norma -
Jane Eaglen
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Norma: Atto II, scena 3. “Qual cor tradisti, qual cor perdesti” (Coro/Norma/Pollione/Oroveso) - Norma -
Jane Eaglen
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Norma: Atto II, scena 3. “Norma! … deh! Norma, scòlpati!” (Coro/Norma/Pollione/Oroveso) - Norma -
Jane Eaglen
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Norma: Atto II, scena 3. “Deh! non volerli vittime” (Coro/Norma/Pollione/Oroveso) - Norma -
Jane Eaglen
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Tosca, SC 69 (Highlights), Act I: Mario! Mario! Mario! (Tosca, Cavaradossi) - Jane Eaglen Sings Tosca -
Jane Eaglen
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Tosca, SC 69 (Highlights), Act I: Our little house in the country (Tosca, Cavaradossi) - Jane Eaglen Sings Tosca -
Jane Eaglen
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Tosca, SC 69 (Highlights), Act I: What eyes in all the world (Cavaradossi, Tosca, Angelotti, Sacristan) - Jane Eaglen Sings Tosca -
Jane Eaglen
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Tosca, SC 69 (Highlights), Act I: Mario?! Mario?! (Tosca, Sacristan, Scarpia) - Jane Eaglen Sings Tosca -
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Tosca, SC 69 (Highlights), Act II: It seemed wise to arrest him … (Spoletta, Scarpia, Cavaradossi, Tosca, Chorus) - Jane Eaglen Sings Tosca -
Jane Eaglen
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Tosca, SC 69 (Highlights), Act II: Now you and I can talk (Scarpia, Tosca, Sciarrone, Cavaradossi) - Jane Eaglen Sings Tosca -
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Tosca, SC 69 (Highlights), Act II: Enough. Tosca, your answer (Scarpia, Tosca, Cavaradossi, Spoletta, Sciarrone) - Jane Eaglen Sings Tosca -
Jane Eaglen
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Tosca, SC 69 (Highlights), Act II: Floria! (Cavaradossi, Tosca, Scarpia, Sciarrone) - Jane Eaglen Sings Tosca -
Jane Eaglen
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Tosca, SC 69 (Highlights), Act II: How much? (Tosca, Scarpia) - Jane Eaglen Sings Tosca -
Jane Eaglen
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Tosca, SC 69 (Highlights), Act II: Life has taught me singing and loving (Tosca, Scarpia, Spoletta) - Jane Eaglen Sings Tosca -
Jane Eaglen
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Tosca, SC 69 (Highlights), Act II: Which route have you chosen? (Scarpia, Tosca) - Jane Eaglen Sings Tosca -
Jane Eaglen
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Tosca, SC 69 (Highlights), Act III: All the stars shone in heaven (Cavaradossi, Tosca) - Jane Eaglen Sings Tosca -
Jane Eaglen
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Tosca, SC 69 (Highlights), Act III: Oh, hands of mercy (Cavaradossi, Tosca, Jailor) - Jane Eaglen Sings Tosca -
Jane Eaglen
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Tosca, SC 69 (Highlights), Act III: What a time they are taking! (Tosca, Spoletta, Sciarrone) - Jane Eaglen Sings Tosca -
Jane Eaglen
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Wesendonk Lieder, WWV 91 No. 1: Der Engel "In der Kinkheit frühen Tagen" - Strauss: Four Last Songs / Wagner: Wesendonck Lieder / Berg: Seven Early Songs -
Jane Eaglen
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Wesendonk Lieder, WWV 91 No. 2: Stehe still! "Sausendes, brausendes Rad der Zeit" - Strauss: Four Last Songs / Wagner: Wesendonck Lieder / Berg: Seven Early Songs -
Jane Eaglen
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Wesendonk Lieder, WWV 91 No. 3: Im Treibhaus "Hochgewölbe Blätterkronen" - Strauss: Four Last Songs / Wagner: Wesendonck Lieder / Berg: Seven Early Songs -
Jane Eaglen
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Wesendonk Lieder, WWV 91 No. 4: Schmerzen "Sonne, weinest jeden Abend..." - Strauss: Four Last Songs / Wagner: Wesendonck Lieder / Berg: Seven Early Songs -
Jane Eaglen
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Wesendonk Lieder, WWV 91 No. 5: Träume "Sag, welch wunderbare Träume" - Strauss: Four Last Songs / Wagner: Wesendonck Lieder / Berg: Seven Early Songs -
Jane Eaglen
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Seven Early Songs, No. 1: Nacht - Strauss: Four Last Songs / Wagner: Wesendonck Lieder / Berg: Seven Early Songs -
Jane Eaglen
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Seven Early Songs, No. 2: Schilflied - Strauss: Four Last Songs / Wagner: Wesendonck Lieder / Berg: Seven Early Songs -
Jane Eaglen
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Seven Early Songs, No. 3: Die Nachtigall - Strauss: Four Last Songs / Wagner: Wesendonck Lieder / Berg: Seven Early Songs -
Jane Eaglen
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Seven Early Songs, No. 4: Traumgekrönt - Strauss: Four Last Songs / Wagner: Wesendonck Lieder / Berg: Seven Early Songs -
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Seven Early Songs, No. 5: Im Zimmer - Strauss: Four Last Songs / Wagner: Wesendonck Lieder / Berg: Seven Early Songs -
Jane Eaglen
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Seven Early Songs, No. 6: Liebesode - Strauss: Four Last Songs / Wagner: Wesendonck Lieder / Berg: Seven Early Songs -
Jane Eaglen
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Seven Early Songs, No. 7: Sommertage - Strauss: Four Last Songs / Wagner: Wesendonck Lieder / Berg: Seven Early Songs -
Jane Eaglen
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Vier letzte Lieder, Op. 150 No. 1: Frühling - Strauss: Four Last Songs / Wagner: Wesendonck Lieder / Berg: Seven Early Songs -
Jane Eaglen
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Vier letzte Lieder, Op. 150 No. 2: September - Strauss: Four Last Songs / Wagner: Wesendonck Lieder / Berg: Seven Early Songs -
Jane Eaglen
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Vier letzte Lieder, Op. 150 No. 3: Beim Schlafengehen - Strauss: Four Last Songs / Wagner: Wesendonck Lieder / Berg: Seven Early Songs -
Jane Eaglen
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Vier letzte Lieder, Op. 150 No. 4: Im Abendrot - Strauss: Four Last Songs / Wagner: Wesendonck Lieder / Berg: Seven Early Songs -
Jane Eaglen
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